Presented for
your listening pleasure, or not as the case may be. Here
are the few pieces of music I have both written and
recorded.
I have written a reasonable amount of music, but the vast majority of it has not been recorded. I will place new files here as and when they become available. All files will be MP3 unless stated otherwise.
Please note that these pieces are original works by myself, and I retain full rights over their distribution and use (including copyright). By placing them on this web page, I give full permission for anyone to listen to the tracks, or to write them to CD for personal use only. If you would like to use these tracks for any other purpose, please contact me directly at ian@eruvia.org.
I have written a reasonable amount of music, but the vast majority of it has not been recorded. I will place new files here as and when they become available. All files will be MP3 unless stated otherwise.
Please note that these pieces are original works by myself, and I retain full rights over their distribution and use (including copyright). By placing them on this web page, I give full permission for anyone to listen to the tracks, or to write them to CD for personal use only. If you would like to use these tracks for any other purpose, please contact me directly at ian@eruvia.org.
Copyright Ian McCall 2006. My first crack at Logic
Express, this is a reworking of a piece originally done
on a Roland D20.
Copyright Ian McCall, 1999. All rights reserved.
Written for a millenium show put on by a Tamil friend
of mine.
Copyright Ian McCall, 1997. All rights reserved. Part
of a much longer piece of work, the remainder of which
has not yet been recorded. Written for and recorded
through an AWE64 sound card.
Copyright Ian McCall, 1986. All rights reserved.
Written when I was about fourteen or so, and recorded
live (most other tracks here were written using a MIDI
sequencer).
Copyright Ian McCall, 1987. All rights reserved. The
second movement out of a planned four for the Encounter
series. It was written a little later, as was the
third. The third was so poor however that I've erased
it from my mind, and the fourth was never completed.
Copyright Ian McCall, 1987. All rights reserved,
unfortunately... To prove that I don't take all this
particularly seriously. This is a total classic, worthy
of comparison with any piece of music on the planet.
Unfortunately, it is for all the wrong reasons. A dull
piece of fake ragtime, played badly by fifteen
year-olds. They all got a lot better, and hopefully so
did I.